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TravelHoundz Sundance

Sundance Film Festival 2009 — Best of Fest

January 25th, 2009 · 1 Comment

Over the course of the festival, we watched 21 films in ten days…and there were still many more we wish we had seen. Below is the list of our favorites, as well as films to be on the lookout for in theaters (ones that we know have distribution deals as of March 2009).

Fair disclosure: the synposes of these films have been pulled together from a number of sources, most commonly the Sundance Film Festival 2009 Filmguide, Cinematial.com, and Indiewire. The text in italics is my opinion or reaction to the film.

Kimberly



OUR FAVORITE FILMS FROM THE FESTIVAL

Dramas

Precious (formerly called Push: Based on the novel by Sapphire)
U.S.A.
Directed by Lee Daniels (Monster’s Ball) and written by Damien Paul.
Cast: Mariah Carey, Lenny Kravitz, Paula Patton, Mo’Nique, and Gabourney Sidibe (who gives an incredible performance as the lead, unbelievably in her first motion picture).

The film tells the redemptive story of Precious Jones, a young girl in Harlem struggling to overcome tremendous obstacles and discover her own voice. Precious is pregnant with her father’s child for the second time, struggling to read and write at school, and physically and emotionally imprisoned by her abusive mother. Yet, somehow she finds the strength to turn her life around.

This film was incredible. Honestly, it was painful to watch at times – certainly the topic is quite heavy. However, it was undeniably the best made film we saw at Sundance – as reflected by it winning both the Grand Jury Prize and Audience Award (which rarely happens).

*Winner: Grand Jury Prize: U.S. Dramatic, Audience Award: U.S. Dramatic, Special Jury Prize for Acting to Mo’Nique for her portrayal of a mentally ill mother.

Picked up by Lionsgate, planning for a Fall 2009 release. (Note the legal battle with Weinstein Co…who apparently also thought they had purchased the rights to the film.)

The Maid (La Nana)
Chile
Directed by Sebastián Silva
Cast: Catalina Saavedra
When her mistress brings on another servant to help with the chores, a bitter and introverted maid wreaks havoc on the household.

This is a beautiful foreign film, something I hope others will get to see. No stars, no fancy plot twists, just solid writing, directing, and acting. A very satisfying production.

Winner: *World Cinema Jury Prize: Dramatic, World Cinema Special Jury Prize for Acting to Catalina Saavedra for her portrayal of a bitter and introverted maid.

Adam
U.S.A.
Written and directed by Max Mayer (longtime stage director)
Cast: Hugh Dancy (Evening, Confessions of a Shopaholic, and many West End theater productions), Rose Byrne (Marie Antoinette, Wicker Park, and FX’s Damages), and Peter Gallagher (While You Were Sleeping, American Beauty, and Fox’s The O.C.)

A conventional but delicately crafted drama that movingly tests the viability of a relationship between two Manhattan neighbors: a brilliant young man with Asperger syndrome and his patient but uncertain girlfriend, a kindergarten teacher and children’s book writer.

This was probably my favorite film of the festival. I found it so touching and so beautifully made. From the opening voiceover of the story of The Little Prince, to the ending where Beth reads from the children’s book she has written for Adam – it was simply lovely. It has been a long time since I have seen such wonderfully acted performances and on-screen chemistry as was given by Dancy and Byrne. I predict this film could be the breakout hit of 2009; certainly that is what Fox Searchlight is hoping for: a repeat of their success with 2005’s Once.

Winner: Alfred P. Sloan Prize, is presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character.
Picked up by Fox Searchlight (for the high $100Ks), coming out in 2009

Rudo y Cursi
Mexico
Written and directed by Carlos Cuaron (Y Tu Mama Tambien)
Cast: Gael Garcia Bernal (Y Tu Mama Tambien, The Motorcycle Diares, and Babel) and Diego Luna (Y Tu Mama Tambien, Milk, and Dirty Dancing: Havana Nights)

A drama/comedy about two brothers from a rural lower class Mexican family with roots in a little banana town on the coast of Mexico, and fighting with each other because of the desire to perform better in professional soccer. It is also a parody of contemporary Mexico’s Narco-society perceptions of life and values – and the Mexican “rags-to-riches” dream, which director Cuaron sadly stated in Q&A is linked only to soccer or Pop-Idol these days.

This was one of the first films we saw at the festival, and a wonderful way to Kick off our Sundance 2009 experience. Everything about the film was great, energetic, and fun. Sundance was Rudo y Cursi’s U.S. premiere – as the film had opened in Mexico a few weeks earlier. Sony wisely saw the potential and picked up the film before the festival even started – by the time it premiered at Sundance, it was already one of the top five grossing films in Mexican history….amazing to think of the potential for where it still has to go.

Picked up by Sony Classics, coming out in the U.S. on May 8, 2009

Shrink
U.S.A.
Directed by Jonas Pate (NBC’s Friday Night Lights) Written by Thomas Moffett
Cast: Kevin Spacey (The Usual Suspects, American Beauty, Se7en, and Moon), Keke Palmer (Akeela and the Bee), Mark Webber, Dallas Roberts (Showtime’s The L Word), Saffron Burrows (ABC’s Boston Legal), and Robin Williams (Mrs. Doubtfire and Good Will Hunting).

Kevin Spacey plays a pot-smoking psychiatrist to the Hollywood elite, struggling to deal with his wife’s death. Spacey’s clientele cut across different parts of the L.A. scene: an aging actress with a cheating, country-singer husband; an alcoholic film vet who’d prefer to think himself a sex addict; a young writer whose big problem is having nothing to say; a superagent with more ticks than a cornfield; his beleaguered and pregnant assistant; and a high school girl who finds a balm for her broken heart in matinee movies.

This was my favorite of the Premiere films at the festival. While clearly bigger budget, this film still had the free-spirit irreverence of a good independent film (and notably, it’s still looking for distribution – thus very independent). The film was very satisfying and well made across all aspects. The acting, cinematography, directing, and writing were all balanced and extremely good. And getting to ask Kevin Spacey a question was pretty awesome – though the true highlight was that he held eye contact with me during his entire response, almost making me feel like the two of us were having our own private conversation.

Still no distribution deals yet, but I’d think something would have to come through. As Variety put it: “Theatrical seems a no-brainer.”

World’s Greatest Dad
U.S.A.
Directed by Bobcat Goldthwait (stand up comedian, actor in Police Academy, director of Sleeping Dogs Lie)
Cast: Robin Williams (Mrs. Doubtfire and Good Will Hunting), Daryl Sabara (Spy Kids), Alexie Gilmore (Definitely, Maybe), Tom Kenny (voice of SpongeBob)

A high school poetry teacher and failed writer’s son dies in a freak masturbation accident. Not wanting to expose his family to the embarrassing publicity of a freak masturbation accident resulting in death, the father decides to cover it up by writing a fake suicide note and claiming that his son took his own life. When the story — including the suicide note — becomes a sensation, he decides to revive his writing career by fabricating an entire journal supposedly written by his son before his death.

One of those rare films that is both thought-provoking and thoroughly enjoyable. While watching the film, I was confused if it was serious or comedic…if I was supposed to laugh or cry. But during the Q&A, where Goldthwait bared his soul and shared his personal hardships and views on life, I realized that was exactly the point. This dark comedy was great—with what could be Robin Williams’ best performance. I just hope it gets picked up so more people can see it.

No distribution deals yet, though I understand negotiations are underway.

Cold Souls
U.S.A.
Written and directed by Sophie Barthes
Cast: Paul Giamatti (Sideways, American Splendor, and Fred Claus), Dina Korzun, David Strathairn (Good Night and Good Luck), Emily Watson (Cradle Will Rock and Gosford Park), Lauren Ambrose (Six Feet Under), and Katheryn Winnick

Giamatti plays Paul Giamatti, a New York actor who’s preparing for the title role in Chekhov’s “Uncle Vanya” and finding it increasingly difficult to separate himself from the character. He learns of the new business of “soul storage” — the science of temporarily removing up to 95% of a person’s soul and all the emotional burdens that accompany it. Trouble is that he can’t act without a soul, and when he decides he wants it back, he discovers that it’s been stolen and taken to Russia.

A really enjoyable, quirky film. As always, Giamatti is fantastic – his body language and facial expressions could do all the acting, without him even saying a word.

No distribution yet.

The Winning Season
U.S.A.
Written and directed by James Strouse (Grace is Gone)
Cast: Sam Rockwell (Choke, Confessions of a Dangerous Mind, and The Assassination of Jesse James, Moon), Emma Roberts (Nancy Drew, Hotel for Dogs, and Nickelodeon’s Unfabulous – also Julia Roberts’ neice), Rob Corddry (The Daily Show), Shareeka Epps (Half Nelson), Rooney Mara (Dare)

An alcoholic ex-basketball star who is currently occupied busing tables is wallowing in self-pity and depressed by his estranged relationship with his ex-wife and daughter. When he is handed the reins of a girl’s basketball team by the school’s principal, what ensues is tempestuous and trying for all concerned.

Certainly not the best film we saw, but possibly the most enjoyable. This is the one film I’m eager to see again when it comes out theatrically. Sam Rockwell’s performance was fantastic – both during the dramatic and comedic parts. Too many side-plots distracted from the core of the film and gave only a glimpse to underdeveloped characters. The film finished shooting at Thanksgiving and the cut we saw was finished only 48 hours before the screening. It’s quite possible that what is shown in the theatrical release is different – and hopefully better.

Picked up by Lionsgate Films, TBA release date.

Documentaries

It Might Get Loud
U.S.A.
Directed by Davis Guggenheim (An Inconvenient Truth)

A documentary about electric guitar, as told through Jimmy Page (Led Zepplin), The Edge (U2), and Jack White (The White Stripes). The film shows not only a personal musical history and discussion of musical philosophy by the three artists, but also a 2-day jam session with the three generations of musicians.

This was one of my favorite films of the festival. There is something just so incredible about watching the creative process unfold – especially with these three talented musicians. My only disappointment was the Jack White was the only one to come to the premiere – Dan and I would have preferred to see Jimmy or The Edge.

Came into Sundance with distribution, as it was picked up by Sony Pictures Classics in November after the film premiered at the Toronto Film Festival. Coming mid-2009.

Burma VJ
Denmark
Directed by Anders Østergaard and edited by Janus Billeskov Jansen and Thomas Papapetros.

In September 2007, Burmese journalists risked life imprisonment to report violent government reaction to peaceful protests from inside their sealed-off country. The film is told from the first person account of the leader of the Democratic Voice of Burma, the illegal reporting group in Burma. Via clandestine phone calls, Joshua dispenses his posse of video warriors, who covertly film the abuses in their country, then smuggle their footage out of the country – eventually to Norway, where it is broadcast to the world and back to Burma.

As Dan and I were heading off to Burma (a.k.a. Myanmar) only a few days after the festival, we were eager to see this film. A little long and slow at times, we still found it extremely moving to think about what these men and women are risking to share this news and footage outside their closed country.

*Winner: World Cinema Documentary Editing Award
TV rights picked up by HBO, to be shown in 2010
Theatrical rights picked up by Oscilloscope, Spring 2009 release

The Yes Men Fix the World
France/U.S.A.
Directed by The Yes Men (Andy Bichlbaum and Mike Bonanno)

Andy and Mike, the “Yes Men”, are notorious troublemakers who sneak into corporate events disguised as captains of industry. A subject of the 2003 Sundance documentary, “The Yes Men,” they are back as writers/directors of this film. The stunts they pull off are incredible. Here is one example: getting invited to speak live on BBC News as a representative of Dow Chemical to falsely announce that Dow will be shutting down Union Carbide division and using the $12B in reparations for the Bhopal disaster.

The film was entertaining – and the subject matter fascinating. What I truly enjoyed was that it not only showed us the unbelievable pranks, but also provided a window into just how the Yes Men pull them off. My only disappointment was that it seems the Yes Men are great at creating disturbances and getting attention, but aren’t able to capitalize on the opportunities they have to effect change. I was left wondering if they don’t really have any solutions to offer, just criticism.


OTHER FILMS WE SAW AND ENJOYED

Dramas

An Education
United Kingdom
Directed by Lone Scherfig, written by Nick Hornby (About a Boy).
Cast: Peter Sarsgaard (Dead Man Walking, Kinsey, Garden State), Carey Mulligan (Pride and Prejudice), Alfred Molina (Spiderman 2, Chocolat, and The Da Vinci Code), Emma Thompson (Howard’s End, Stranger than Fiction, Last Chance Harvey)

In the early 60s, a sharp 16-year-old with sights set on Oxford meets a handsome older man whose sophistication enraptures and sidetracks both her and her parents.

This was one of the most sought after tickets of the festival. We enjoyed it a lot, but found parts of it unrealistic. (Really, parents are going to let a much older man take their 16 year old daughter away for weekend trips? Really, the school is never going to talk to the parents?) Thoroughly enjoyable, but certainly not the best thing we saw. Look for it in theaters later this year, as it was one of the films that sparked bidding wars.

*Winner: World Cinema Audience Award: Dramatic, World Cinema Cinematography Award: Dramatic
Picked up by Sony Pictures Classics, coming out in Fall 2009.

Dare
U.S.A.
Written by David Brind, Directed by Adam Salky
Cast: Emmy Rossum (The Phantom of the Opera, Mystic River, and The Day After Tomorrow), Zach Gilford (NBC’s Friday Night Lights), Ashley Springer, Ana Gasteyer (SNL and Mean Girls), Alan Cumming (GoldenEye, X2, Spy Kids), Sandra Bernhard (stand-up comedian)

Dare follows three very-different teenagers through the last semester of high school. There are Alexa, the overachieving good girl who longs to break out of her shell; Ben, the melancholy outsider confused about his sexuality; and Johnny, the rich kid who has everything, including good looks, but hides behind his bad-boy persona. This unlikely trio fall into each other’s lives and each others arms, making a last-ditch effort to shake things up before they actually have to start living as adults.

Somehow I missed that this film is about a threesome when reading the synopsis in the Sundance guide. I was really happy I saw it, but even happier that I didn’t see it with my mother… The actors give great performances, and the film overall feels like a significantly more edgy version of the high school films I love like “Sixteen Candles,” “The Breakfast Club,” or “Can’t Hardly Wait.”

Five Minutes of Heaven
United Kingdom/Ireland
Directed by Oliver Hirschbiegel (The Invasion), written by Guy Hibbert.
Cast: Liam Neeson (Schindler’s List, Kinsey) and James Nesbitt (Bloody Sunday, Matchpoint)

Two men from the same town but from different sides of the Irish political divide discover that the past is never dead. One man (Neeson) is the killer; the other (Nesbitt) is the brother of the man he killed. One feels he dare not ask for forgiveness; the other feels he is incapable of giving it.

An incredibly powerful film. I found it thought provoking about the possibility of reconciliation, but also the reality that the anger and hurt are extremely difficult to overcome. Both lead actors gave wonderful performances.

*Winner: World Cinema Directing Award: Dramatic, World Cinema Screenwriting Award

No distribution announced as of yet.

Victoria Day
Canada
Written and directed by David Bezmozgis
Cast: Holly Deveaux, Scott Beaudin, John Mavrogiannis, Mark Rendall and an assortment of teenaged actors from the Greater Toronto Area.

Ben Spektor is enjoying his life as a young adult in 1988. He’s a star player on the high school hockey team, the next Gretsky if his father has anything to say about it. Jordan Chapman is Ben’s teammate, and perpetual tormentor. While out catching a Bob Dylan concert Ben runs into Jordan, who needs five bucks to buy some drugs. Ben hands over the cash and walks away. From then on we watch as Ben deals with the aftermath of Jordan’s disappearance. It turns out Ben was the last person, at least of those who knew Jordan, to see the young man before he disappeared. The situation is made all the more awkward when Ben starts a tentative relationship with Cayla, Jordan’s younger sister.

Dan and I were both struck by how realistic this film was. While it could have easily turned into a crime drama about the missing boy, the film instead focuses on how this incident affects the lead character.

Motherhood
U.S.A.
Written and directed by Katherine Dieckmann
Cast: Uma Thurman (Pulp Fiction and Kill Bill), Minnie Driver (Good Will Hunting), Anthony Edwards (NBC’s ER)

Eliza Welch is a frazzled, multitasking mom trying to balance her role as a wife and mother with her dreams of becoming a writer. In the day-in-the-life movie, Eliza struggles to pull together her daughter’s sixth birthday party, contemplates an extra-marital fling and seizes upon the career opportunity of a lifetime.

This felt like a very satisfying independent film – one of those films where it’s not about what happens, but about the characters and their struggle. We saw this with my mother, and she said it did a great job of showing that feeling of being overwhelmed and lonely that is often an unfortunate part of Motherhood. Uma Thurman was fantastic in the film – and more beautiful in person that I ever would have expected.

Zion and his Brother
Israel
Written and directed by Eran Merav (Underdogs)
Cast: Ronit Elkabetz, Tzachi Grad, Reuven Badalov, Ofer Hayun

A sensitive sibling drama set in Haifa, where two brothers are living a dysfunctional life with a single parent. Like Cain and Abel, or better yet, like Jacob and Esau, they do battle under the coastal train tracks which form a sort of post birth womb.

One of those sad foreign films about poverty and dysfunctional family dynamics. The young actors did a wonderful job, especially considering they were untrained.

Documentaries

Art & Copy
U.S.A.
Directed by Doug Pray

Essentially, a history of 20th century advertising, director Doug Pray interviews some of the greatest names in the field and recounts their successes. The film combines clips of ads with interviews with titans in the field like Dan Wieden (Nike’s “Just do it”), Hal Riney (Ronald Reagan’s “It’s Morning in America”) and George Lois (“I want my MTV!”).

Good, but not great, this documentary gives an interesting overview of the advertising business.

Picked up by boutique distributor Arthouse Films.

The Reckoning
U.S.A.
Directed by Pamela Yates

Late in the twentieth century, in response to horrific atrocities igniting increasingly around the world, more than 60 countries united to launch the International Criminal Court (ICC)—the first permanent home for prosecuting perpetrators (no matter how powerful) of crimes against humanity, war crimes, and genocide. This documentary follows charismatic ICC prosecutor Luis Moreno-Ocampo for three years across four continents as he and his team tirelessly issue arrest warrants for Lord’s Resistance Army leaders in Uganda, put Congolese warlords on trial, challenge the U.N. Security Council to help indict Sudan’s president for the Darfur massacres, and shake up the Colombian justice system.

A poignant documentary that provided a good education about the formation and working of the ICC. A little too long for my taste, but I’m extremely glad I saw it. Especially relevant given the recent ICC warrant against al-Bashir for his involvement in the Darfur killings.


…AND THE BAD FILMS

As quoted from USA Today: “Then there were two outright failures: Billy Bob Thornton starred in both of them. First came Manure, a surreal comedy from the Polish brothers about 1950s-era fertilizer salesmen that caused a lot of walkouts and painful silence during the post-screening Q&A. Then came The Informers, an adaptation of a Bret Easton Ellis short-story collection about decadent Los Angeles scumbags.” We saw Manure and agreed it was pretty awful – worse yet was the arrogance and rudeness of the director during the Q&A. My brother saw The Informers and said it wasn’t that terrible, but it had helped that he had come in with low expectations, having read a very negative review right before the screening.


OTHER TOP FILMS THAT OUR FRIENDS/FAMILY SAW:

Dramas

Sin Nombre
U.S.A,/ Mexico
Written and directed by Cary Joji Fukunaga
Cast: Paulina Gaitan, Karl Braun, and many first time actors

Filmmaker Fukunaga’s first-hand experiences with Mexican immigrants seeking the promise of the U.S. form the basis of this epic Spanish-language dramatic thriller. The film tracks the fate of three teenagers traveling through Mexico on their way toward the U.S. border. But the journey is a tough one: First the trio must cross a river into Mexico, and then hop a train — by riding on its roof — for a three-week journey to the border. Before the train arrives, Sayla’s father tells her that half the people traveling with them (100-200) will either die or be caught by border police and sent back home. Nevertheless, the promise of a better life on the other side is too appetizing to ignore.

This is the film we are most eager to see when it comes out in the theaters, as we were unable to see it during the festival. Our friends saw it and said it was amazing – and it was the film we heard the most about from festival staff and other attendees.

Winner: Directing Award: U.S. Dramatic, Excellence in Cinematography Award: U.S. Dramatic
Came into the festival with distribution with Focus Features, coming out March 20, 2009.

Humpday
U.S.A.
Written and directed by Lynn Shelton
Cast: Mark Duplass, Joshua Leonard (The Blair Witch Project), and Alycia Delmore

A farcical comedy about straight male bonding gone a little too far. Set in Seattle’s hip urban youth scene, the movie focuses on two straight buddies’ intent on fulfilling the unlikely goal of filming themselves having sex—with each other—for the town’s local porn festival. To these hilariously mixed up journeymen, violating their sexual dispositions offers an absurd, idyllic escape from their mundane existence.

From reading the synopsis, this looked like the one film Dan and I had no interest in seeing – so we were shocked to hear repeatedly how great it was. (Even more so from the two 65 year old ladies riding the bus who said it was laugh-out-loud funny…) We’re looking forward to seeing this film later this year, either in theaters or on V.O.D. (video on demand).

*Winner: Special Jury Prize for Spirit of Independence
Picked up by Magnolia Pictures, coming to VOD in July 2009, theatrical release in August.

Spread
U.S.A.
Directed by David MacKenzie (Young Adam) and written by Jason Dean Hall
Cast: Ashton Kutcher (Punk’d, That 70’s Show), Anne Heche (Psycho, Six Days Seven Nights), Margarita Levieva (Fox’s Vanished), Rachel Blanchard (Clueless TV series), Sebastian Stan, Sonia Rockwell

Nicki is a lothario on the make in Los Angeles. In his attempt to sleep his way to money and privilege, he courts women like high-powered attorney Samantha, but his plans are jeopardized when he falls for a waitress who is playing the same game.

Our friends saw this and didn’t have great things to say. They described the film as watching 2 hours of Ashton Kutcher having sex (which did make the experience enjoyable for them). It will be interesting to see how the film is edited for a theatrical release.

Picked up by Anchor Bay in one of the largest acquisition of the festival at $3.5M

Documentaries

We Live in Public
U.S.A.
Directed by Ondi Timoner (Dig!)

The film portrays the story of the Internet’s revolutionary impact on human interaction as told through the eyes of maverick web pioneer, Josh Harris, and his transgressive art project that shocked New York.

*Winner: Grand Jury Prize: U.S. Documentary

Playing the festival circuit in early 2009

The Cove
U.S.A.
Directed by Louie Psihoyos

The Cove exposes an atrocity of unimaginable brutality. The dolphin slaughter depicted here is committed yearly and without knowledge of the general Japanese public, even though they could be buying highly-toxic mercury-laden dolphin meat disguised as fish from their local supermarkets. s Barred access to the site, the film crew (which includes most notably the man who trained Flipper, Richard O’Barry) was forced to utilize covert military tactics and equipment, including thermal heat sensors and the help of two world-class free divers, to accomplish their mission.

*Winner: Audience Award: U.S. Documentary

Roadside Attractions picked up the film for limited distribution: July 31, 2009

Afghan Star
Afghanistan/United Kingdom
Directed by Havana Marking

After 30 years of war and Taliban rule, Pop Idol has come to television in Afghanistan: millions are watching and voting for their favorite singer. Marking’s film follows the dramatic stories of four contestants as they risk their lives to sing.

*Winner: World Cinema Audience Award: Documentary, World Cinema Directing Award: Documentary

Picked up by Zeitgeist, Summer 2009

Tyson
U.S.A.
Written and directed by James Toback (Bugsy)

Described as a “psycho-documentary”, this film investigates the many controversial moments in the life of the boxer and celebrity. Raised in Brooklyn, his father disappeared from Tyson’s life at a very young age. He then was under the wing of his manager Cus D’Amato who helped steer the career of the young boxing phenomenon. Soon he was thrown into the spotlight and led a life of recklessness with alcohol, drugs and sex.

Picked up by Sony Classics, coming out April 24, 2009

Good Hair
U.S.
Directed by Jeff Stilson (stand up comedian: The Chris Rock Show)

When Chris Rock’s daughter, Lola, came up to him crying and asked, “Daddy, how come I don’t have good hair?” the bewildered comic committed himself to search the ends of the earth and the depths of black culture to find out who had put that question into his little girl’s head! Director Jeff Stilson’s camera followed the funnyman, and the result is Good Hair, a wonderfully insightful and entertaining, yet remarkably serious, documentary about African American hair culture.

Special Jury Prize: U.S. Documentary

Prom Night in Mississippi
U.S.A,
Written and directed by Paul Saltzman

In 1997, Academy Award–winning actor Morgan Freeman offered to pay for the senior prom at Charleston High School in Mississippi under one condition: the prom had to be racially integrated. His offer was ignored. In 2008, Freeman offered again. This time the school board accepted, and history was made. Unfortunately, Freeman’s generosity fans the flames of racism—and racism in Charleston has a distinctly generational tinge. Some white parents forbid their children to attend the integrated prom and hold a separate white-only dance.

Playing the film festival circuit in early 2009


OTHER FILMS TO LOOK FOR IN THEATERS

Adventureland
U.S.A
Directed by Greg Mottola (Superbad)
Cast: Kristen Stewart (Twilight), Jesse Eisenberg (The Squid and the Whale, The Hunting Party), Ryan Reynolds (ABC’s Two Guys and a Girl), Martin Starr (NBC’s Freaks and Geeks, Knocked Up), Bill Hader (SNL, Knocked Up), Kristen Wiig (SNL, Knocked Up)

James Brennan (Eisenberg) can’t wait to embark on a post-college tour of Europe. When his parents announce they can no longer subsidize his trip, he has little choice but to take a thankless job at a local amusement park. What should be his worst summer ever turns into the adventure—including finding love with co-worker Em (Stewart)—of a lifetime.

Came into the festival with distribution with Miramax, coming out March 27, 2009

Amreeka
U.S./Canada/Kuwait
Directed by: Cherien Dabis
Cast: Nisreen Faour, Melkar Muallem, Hiam Abbass, Yussuf Abu-Warda, Alia Shawkat, Joseph Ziegler

A warm and lighthearted film about one Palestinian family’s tumultuous journey into Diaspora amidst the cultural fallout of America’s war in Iraq. A Palestinian single mom struggles to maintain her optimistic spirit in the daily grind of intimidating West Bank checkpoints, the constant nagging of a controlling mother, and the haunting shadows of a failed marriage. Everything changes one day when she receives a letter informing her that her family has been granted a U.S. green card.

Picked up by National Geographic Pictures, Fall 2009 release

Brooklyn’s Finest
U.S.A.
Directed by Antoine Fuqua (Training Day)
Cast: Ethan Hawke (Training Day, Before Sunrise), Richard Gere (Pretty Woman, Chicago), Don Cheadle (Oceans Eleven, Hotel Rwanda), Wesley Snipes (Passenger 57, Blade), Ellen Barkin (Ocean’s Thirteen)

A cops-turned-criminals drama. Sal (Hawke) is a detective tempted by greed and corruption, Eddie (Gere) has lost his loyalty to the police force and Tango (Cheadle) is forced to choose between friendship and his duty as an undercover cop. Fate brings the three together during a bust in a Brooklyn housing project.

Senator Distribution reportedly paid under $5 million for “Brooklyn’s Finest” with a commitment of at least $10 million to market the film. Lots of drama over the melodramatic final shot, which Fuqua is rumored to have agreed to redo as a part of the distribution deal. Coming out in 4th quarter of 2009.

Black Dynamite
U.S.A.
Written and directed by: Scott Sanders (Thick as Thieves), also written by Michael Jai White
Cast: Michael Jai White (The Dark Knight), Tommy Davidson (In Living Color), Salli Richardson-Whitfield, Arsenio Hall, Byron Minns, Kym Whitley

A bawdy comedy that plays with 1970s blaxploitation flicks the way Austin Powers did with 1960s spy thrillers. When “the man” kills his brother, pumps heroin into the local orphanage, and floods the ghetto with a secret weapon disguised as Anaconda Malt Liquor, there is only one brother bad enough, strong enough, and brave enough to take them on: the legendary Black Dynamite.

Picked up by Sony Pictures for $2M, coming out in 2009

Dead Snow
Norway
Written and directed by Tommy Wirkola, also written by Stig Frode Henriksen
Cast: Vegard Hoel, Stig Frode Henriksen, Charlotte Frogner, Jenny Skavlan, Jeppe Beck Laursen, Lasse Valdal

A Nazi zombie horror/comedy. For eight medical students, Easter vacation begins innocently enough. They pack their cars full of ski equipment and enough beer to fuel their escape from everyday life to the snowy, isolated hills outside of Øksfjord, Norway. Once there, they receive a late-night visit from a shady hiker, who tells them a story about Nazi occupation of the area during World War II. After doing their fair share of raping and pillaging, the dreaded battalion faced a brutal and vengeful uprising by the citizens of the town. The soldiers who managed to survive the onslaught, including their dreaded leader Colonel Herzog, were driven into the hills by the angry mob, where they supposedly froze to death, never to be seen again. But if the horror genre has taught us anything, it’s that the raucous behavior and promiscuity of the younger generation always have a way of bringing evil spirits back to life.

Picked up by IFC Films, coming out in 2009.

500 Days of Summer
U.S.A.
Directed by Mark Webb
Cast: Joseph Gordon-Levitt (10 Things I Hate About You, NBC’s 3rd Rock from the Sun) and Zooey Deschanel (Yes Men, Elf)

The film tells the story of the relationship between a woman, Summer (Deschanel), who doesn’t believe in true love and a man, Tom (Gordon-Levitt), described as a hopeless romantic, who falls in love with her. Over a span of 500 days, it is told from the perspective of Tom, who is influenced by pop music and breaks out into song throughout the movie.

Came into the festival with distribution with Fox Searchlight, coming out July 24, 2009

The Greatest
U.S.
Directed by: Shana Feste
Cast: Susan Sarandon (Dead Man Walking, Thelma and Louise, Stepmom), Pierce Brosnan (James Bond: Goldeneye, Tomorrow Never Dies…), Carey Mulligan (Pride and Prejudice), Johnny Simmons (Evan Almighty), Aaron Johnson, Michael Shannon

The death of their teenage son, Bennett, in a car crash is almost too much for the Brewer family to bear, not just because his was a life of such promise but also because the impact of his death unleashes the turmoil that was just beneath the surface of their lives. His mother becomes obsessed and can’t let go; his father, in turn, can’t face it at all; and his brother’s secondary status is magnified and entrenched. And when Bennett’s girlfriend appears, the family must come to grips with circumstances that complicate their loss even further.

Picked up by Senator Distribution

In the Loop
United Kingdom
Directed by Armando Iannucci (BBC’s The Thick of It)
Cast: Peter Capaldi (BBC’s The Thick of It, James Gandolfini (The Sopranos), Tom Hollander (Pride and Prejudice, Pirates of the Carribean), David Rashe, Gina McKee, Chris Addison, Anna Chulmsky, Mimi Kennedy

British and American defense and state departments on a hilariously nasty rush to war that looks a lot like Iraq. When a British cabinet minister, Simon Foster, comments publicly that he thinks war is “unforeseeable,” the result is an immediate bollocking from Malcolm Tucker, the prime minister’s testy bulldog pushing for war. Unable to clarify his position, Simon is sent to Washington, where, trying desperately to be important, he meets Karen Clark, a U.S. State Department official, and General Miller, who see him as a transatlantic partner in building a consensus against war. Described as “It’s The Office meets The West Wing.”

Picked up by IFC films, coming out in 2009.

Moon
United Kingdom
Directed by Duncan Jones (son of David Bowie), written by Nathan Parker
Cast: Sam Rockwell (Choke, Confessions of a Dangerous Mind, and The Assassination of Jesse James, The Winning Season), Kevin Spacey (Usual Suspects, American Beauty, Shrink), Dominique McElligott, Benedict Wong, Matt Berry, Kaya Scodelario, Malcolm Stewart

In the near future, Astronaut Sam Bell (Rockwell) is sent on a three year mission to live on the far side of the moon and mine Helium-3, a chemical that has now become Earth’s primary source of energy. His moon base has lost live communication with Earth and is rather lonely. But luckily his contract is almost up and he will soon return home to his loving wife Tess and their three year old daughter Eve. But as the final days clock down, Sam suffers a freak accident and discovers a secret which puts into question everything.

Picked up by Sony Classics from Sony Pictures Worldwide; coming out in June 2009

Tags: North America · sundance

1 response so far ↓

  • 1 barb callahan // Mar 25, 2009 at 4:32 pm

    What did y0u ask Kevin?

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